A obra poética de Carpinejar : relações com regimes, dominantes e modalidades do imaginário.

Abstract

The present dissertation analyzes the manifestation of the imaginary, as origin of the human creations, in the works of Carpinejar, a poet from Rio Grande do Sul State, who has been gaining increasing recognition in the national and international levels. In the realization of this study, the poetry is considered a way of manifesting the imaginary responsible for the production of a singular way of knowledge, which favors the complete development of the individual. The concepts of imaginary and poetic images adopted are based in the thinking of scholars such as Gaston Bachelard, Michel Maffesoli and Gilbert Durand, been mainly utilized the characterizations of the last one, highlighting the association of images to the diurnal and nocturnal regimes and the postural, digestive or cyclic dominants. Also, the proposal of Jean Burgos to the modalities of imaginary structuring – which retakes Durand’s classification, in view to its application to the poetic text – is used in this study, in a way that it helps to clarify pertinent aspects in the works of Capinejar. From these theoretical concepts, the poem analysis of seven works of the author, published between 1998 and 2008, is done showing its literary quality and pointing out the predominance of the cyclic dominant in the nocturnal regime of the imaginary and the progress modality in relation to the time flow, indicating its acceptance.